Richard Linklater and his stars/co-writers Ethan Hawke and Julie Delpy revisit Jesse and Celine once more in the third installment of their ever-improving Before franchise. It is fair to say that very few people were even aware of this film’s existence before it was announced as part of the Sundance line-up at the beginning of […] Read more »
REVIEW: The Towering Inferno
After a highly successful run, as a producer of hit TV Science Fiction shows like Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel, Land of the Giants, Irwin Allen returned to the big screen in 1972, producing The Poseidon Adventure, a star-studded, technically innovative, action-disaster film. He followed this up […] Read more »
REVIEW: The Look Of Love
The Look Of Love, directed by Michael Winterbottom and starring Steve Coogan as Raymond, is a lighthearted, nostalgic biopic that for the most part looks back longingly at the popularisation of sleaze in the 60s and 70s. The Look Of Love does have a tragic arc, but in every act, the film reminds you of this tragedy then quickly looks away to the more fun aspects of the era. Read more »
REVIEW: NO
NO is the third in Chilean director Pablo Larrain’s series of films set in Chile during the Pinochet years, following on from Tony Manero and Post Mortem. This time, Gael Garcia Bernal stars as René Saavedra, an advertising executive who is hired to develop a campaign for the Chile’s 1988 national plebiscite. Chile had not […] Read more »
REVIEW: Captain Phillips
When we hear the word pirate, the image most of us bring to mind is someone in a billowing white shirt, maybe with a peg leg, or patch over one eye, and almost certainly a sword or cutlass. Maybe we imagine Errol Flynn’s Captain Blood or Johnny Depp’s Captain Jack Sparrow. Pirates in popular culture […] Read more »
REVIEW: Behind The Candelabra
Much has been written about Steven Soderbergh’s decision to quit directing films after a career spanning 26 features, including Sex, Lies, and Videotape, Erin Brockovich, The Informant and Ocean’s Eleven, Twelve and Thirteen. Soderbergh has lamented the state of contemporary cinema, while maintaing that he will direct plays and perhaps TV as well, in the […] Read more »
REVIEW: The Bling Ring
Ours is a caustic era, obsessed with celebrities and the so-called lifestyles they enjoy. We imagine they exist in a perpetual flow of brand-name exuberance, gliding seamlessly from one A-list party to the next. We enjoy their every move vicariously via the endless stream of paparazzi images that feed our collective bloodstream through the poisoned, […] Read more »
REVIEW: Forma
Ayako is young, mid-20s woman who works in a grey, flat and rather dull Tokyo office. She has enough authority to add some level of significance to her work, but not enough to give her real control over the direction of her life. Ayako lives at home with emotionally reserved father (Ken Mitsuishi), a TV/Film […] Read more »
REVIEW: Captain Phillips
Tom Hanks leads a convincing charge for his third Best Actor Oscar as real-life merchant seaman Capt. Richard Phillips, whose container ship is overpowered by Somali pirates in Paul Greengrass’ breathless and exhilarating thriller. While Hollywood spent much of the last decade obsessing over the rum-swigging dandy pirates personified by a swaggering Johnny Depp, the […] Read more »
REVIEW: To Live And Die In Ordos (Jingcha Riji)
It’s well known that China’s spectacular transformation, from economic stagnation to explosive capitalistic prosperity has brought with it a fair degree of corruption and social tension. In many places government officials and the police have come to be known as corrupt; sometimes on a spectacular scale. This recent history comes to life while watching To […] Read more »
REVIEW: Parkland
Parkland is the Dallas hospital where President John F. Kennedy was treated and ultimately died after being shot in 1963. It is also, by a cruel twist of fate, the same hospital where his assassin, Lee Harvey Oswald was taken one day later. “What a shitty place to die,” exclaims one of the President’s secret […] Read more »
REVIEW: Au Revoir l’ été (Hotori no Sakuko)
Sakuko is an 18 year old student, who travels with her aunt to Mikie from Tokyo to a seaside town where they plan to housesit for the summer. Mikie is working on an academic project and Sakuko is preparing for her university entrance exams. But the summer days move slowly and Sakuko soon makes a […] Read more »
REVIEW: Of Horses And Men (Hross í oss)
One way of understanding the appeal of cinema lies in the ability of films to take us somewhere new and surprising. The experience of seeing how people live in place vastly different from our own can entertain us and perhaps even help us realise how comfortable or naive we are in our fixed view of […] Read more »
REVIEW: Drinking Buddies
Joe Swanberg is one of the most prominent figures to rise out of the recent “mumblecore” film scene in the US. Working fast, with tiny budgets and making largely improvised, personal and challenging films he established a solid following for his work. For Drinking Buddies, Swanberg steps up to a new level, working with a […] Read more »
REVIEW: The Empty Hours (Las Horas Muertas)
Sebastián (Kristyan Ferrer) is seventeen years old and as a favour to his sick uncle, takes over the day to day running of a “love” motel on the windswept coast of Veracruz, in Mexico. Sebastián is hard working, but apart from making the rooms after the hotel’s short staying guests leave, there isn’t much to […] Read more »
REVIEW: Bending The Rules (Ghaedeye tasadof)
Bending The Rules, written and directed by Behnam Behzadi, traces the tense, final preparations of a young, mostly university age theatre group in Iran, as they prepare to travel and present one of their plays at an overseas festival. Most of the group have either lied to their parents about their plans, sometimes concocting elaborate […] Read more »
REVIEW: Rigor Mortis
Rigor Mortis is Juno Mak’s debut as a feature film director. Mak, known for acting in and co-writing Revenge: A Love Story (2010) has chosen to make a homage to the 80s Chinese “geung see” (Mr Vampire) films. Mak also wrote the film and co-produced it alongside Takashi Shimizu, director of Ju-on and it’s English […] Read more »
REVIEW: Beyond The Memories (Kiyoku Yawaku 潔く柔く)
Takehinko Shinjo has, over the course of his directorial career, acquired the title “master of romance movies.” Here, in his beautifully composed fifth feature film, Beyond The Memories, the romance is constantly shadowed by tragedy and feelings of regret. Adapted from a manga comic that has sold over 2.95 million copies, Beyond The Memories starts […] Read more »
REVIEW: Gravity
In what promises to be a new landmark, both in science fiction cinema and the craft of filmmaking itself, Alfonso Cuaron’s deep space survival thriller offers jaw dropping spectacle, nail-chewing suspense and an incredibly intimate character study, shot against the stunning backdrop of planet Earth itself. A difficult filmmaker to pigeonhole, Alfonso Cuaron has accumulated […] Read more »
REVIEW: Snowpiercer
There was such a giddy sense of anticipation for Bong Joon-ho’s first English language film that ultimate disappointment seemed almost inevitable. But, where his countrymen Park Chan-wook and Kim Ji-woon failed to transplant their unique cinematic perspective into Stoker and The Last Stand respectively, Snowpiercer is by comparison a monumental triumph of dystopian science fiction. […] Read more »