I’ve enjoyed and shared Nacho Vigalondo’s debut feature many times but this was the first time I had seen it on the big screen. Fantastic Fest had a special screening in 35mm to commemmorate the limited release of the film’s score on vinyl, composed by his friend, Grand Piano director Eugenio Mira, together with a limited Mondo print (pictured). Both men were in attendance and talked at length about he experience making the film ahead of the screening. A fantastic one-of-a-kind event.
Timecrimes
